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Holiday Gift Guide - 2007 |
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Recordings |
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Jonathan Sings
Larson
Library of Congress Songwriters Series
PS Classics PS-757 |
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The most recent release in the Library of
Congress' series of albums featuring composers of show music singing their
own work either from original demo recordings or from commercial sources
turns out to be the most interesting and the one most likely to have
repeated visits to your CD player. Larson, who died literally on the eve of
the opening of his big hit, Rent, is heard singing numbers he wrote for that
show, for the show became tick, tick...Boom! and a few he wrote hoping to break
into pop musical success as well. The package even includes a hand-held
video on DVD of a live performance at New York's Village Gate from
1991. |
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Face the Music
Music and lyrics by Irving Berlin
DRG CD 94781 |
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Not all the concert versions of great musicals
in the New York series "Encores!" are preserved with a commercial recording,
but when they are the recordings are well worth the collector's attention.
Here, Berlin's 1932 musical revue which, of course, never had an original
Broadway cast recording finally gets an issue of its own and it is a pure
delight. The cast includes Judy Kaye, Lee Wilkoff, Jeffry Denman and Walter
Bobbie. The orchestra under Rob Fisher is superb. |
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Curtains
Original Broadway Cast
Music by John Kander
Lyrics by Fred Ebb
Book by Rupert Holmes
EMI Broadway Angel 0946 3 92212 2 6
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What a thrill to have an original Broadway cast
album of a new score that starts out with a big, bold, tuneful overture just
like they did back in the golden age of the American musical theater!
Of course, it helps that the overture is followed by a big, bold, tuneful
score just like they had in the golden age of the American musical theater!
The show is a tribute to that great genre and belongs in the collection of
all musical theater lovers. |
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Click here to buy the CD
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Grease
Revival Cast Recording
Music by Jim Jacobs and Warren Casey
Sony Masterworks Broadway 88697-16398-2 |
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The latest revival of this high school sock-hop
musical opened in August, 2007. The production will be remembered as the
first Broadway show to have its stars selected in a reality television
series! Max Crumm and Laua Osnes won the competition on last year's "Grease:
You're The One That I Want" and landed the roles of Danny and and Sandy
under the direction of veteran director and choreographer Kathleen Marshall.
Crumm and Osnes are fine and the recording is bright. It includes the songs
written for the movie version which have been interpolated into the show.
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West Side Story
50th Anniversary Recording
Music by Leonard Bernstein
Lyrics by Stephen Sondheim
Decca Broadway B0009818-02 |
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Again, we get a new recording of West Side Story
with a lead voice all too formally trained in the operatic tradition. At
least Vittorio Grigolo sounds almost young enough to be Tony, unlike Jose
Carreras who sang the role when Leonard Bernstein himself conducted a
complete recording. This time out, the part of Maria is delivered with
nearly angelic grace by Hayley Westenra. Still, the Original Broadway Cast
from 50 years ago remains the best available recording of the score. If your
intended recipient already has that one, this
new one offers digital sound. |
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Altar Boys
Music and Lyrcs by Gary Adler and Michael
Patrick Walker
SH-K-Boom Records 7915586050-2 |
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The stage hands strike against the owners of
most of the theaters on Broadway drove many who would be attending a
Broadway show to try an Off-Broadway one and discover some of the delights
to be had in those smaller but no less professional venues. One that seemed
to benefit was this story of a boy band dabbling in Christian rock but with
a wink. The band - Mathew, Mark, Luke and Juan ... and Abraham, cope with
some of the problems of contemporary youth culture while working their way
through boy-band-sounding songs such as "(God Put) The Rhythm In Me," "The
Calling" with its refrain "Jesus called me on my cell phone, and the hip hop
rap "The Miracle Song." |
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110 in the Shade
Broadway Revival Recording
Music by Harvey Schmidt
Lyrics by Tom Jones
PS Classics PS-754 |
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This is the kind of cast recording that makes
you proud to be a fan of musical theater
and of cast recordings. It is a sonically splendid capturing of a musically
marvelous, lyrical score telling a warmly human story of decent people. It
features a soaring performance by Audra MacDonald, a
satisfyingly personable one by John Cullum, and a refreshingly open one by
Bobby Steggert. |
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Jersey Boys
Broadway Cast Recording
Music by Bob Gaudio
Lyrics by Bob Crewe
Rhino Records R273271 |
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Sometimes an original Broadway cast album will
give a false impression of just how good a show was in the theater because
it preserves the best material - the songs. Not here. Oh, the songs are very
good and are performed with tremendous verve, energy, skill and pizzazz. It
is just that, in this case, the show was very much as good as the musical
material. As a result, this recording of the score preserves a memory for
those who experienced the theatrically induced high of seeing the show
itself, while, at the same time, surveying the output of the group that was
the subject of the show, the Four Seasons and its lead falsettoist, Frankie
Valli. |
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Irving Berlin's
White
Christmas
Cast Recording
Music and Lyrics by Irving Berlin
Book by David Ives and
Paul Blake
Ghostlight Records 7915581225-2 |
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If you need a holiday gift with a holiday theme,
what could be better than this new recording of the stage version of this
movie of the season? The movie's story was streamlined and concentrated, but
it revolves around two song and dance men who put on a show at a Vermont ski
lodge suffering from a lack of both business and snow in order to attract
crowds to the lodge which is now operated by their old commanding officer
from their World War II.
Click here to read our review. |
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The Light in the Piazza
Original Broadway Cast Recording
Music and lyrics by Adam Guettel
Book by Craig Lucas
Nonesuch 79829-1 |
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The most gorgeous
score for a musical in recent years. It is by Adam Guettel for this
out-and-out romance.
The recording sounds like the work of love that it is.
Click here to read our review.
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The Drowsy Chaperone
Original cast recording
Music and Lyrics by Lisa Lambert
and Greg Morrison
Book by Bob Martin and
Don McKellar
Ghostlight Records 7915584411-2 |
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The brightest, funniest and most fun musical of the Broadway
2006 season produced the brightest, funniest and most fun original Broadway cast record
of the year. This confection captures the tone of the show in both its
packaging and the recording itself. The show is built on one
singularly comic concept - a show music maven sharing his favorite recording
with the audience - so the recording is the essence of the experience of having
that theater fan play
his favorite record for you, a 1928 doozy. Click
here to read our review.
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The Fantasticks
New Off-Broadway Cast Recording
Music by Harvey Schmidt
Book and Lyrics by Tom Jones
Ghostlight Records 8-4415 |
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The longest running musical ever in New York
finally closed in 2002 after 17,162 performances at the Sullivan Street
Playhouse. Its original cast recording was a staple of musical lovers
collections for years. Now, the show has been revived at a new theater
further uptown in the theater district (on 50th Street) and a new recording
of the score with this new cast has been released. It is as enjoyable
as the original and it includes as a bonus a 1959 recording by composer
Harvey Schmidt of a song written for the slot in the show that eventually
was filled by "Round and Round." |
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Hugh Sings Martin
Library of Congress
Songwriter Series
PS Classics PS-9535 |
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The Library of Congress continues its series of albums
featuring composers of show music singing their own work either from
original demo recordings or from commercial sources. Here Hugh Martin sings
songs he wrote for Meet Me in St. Louis, Best Foot Forward, Look Ma, I'm
Dancin'! and Good News. (PS Classics 9535) |
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Charles Sings
Strouse
Library of Congress
Songwriter Series
PS Classics |
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The composer of such shows as Annie, Bye Bye Birdie,
Applause, Rags and Nick & Nora sings his own compositions in
historic demo recordings and newly recorded tracks as part of the Library of
Congress' Songwriter Series. (PS Classics PS-646) |
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See What I Wanna See
Original cast recording
Music and lrics by Michael
John LaChiusa
Ghostlight Records 7915584408-2 |
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The newest score from Michael John LaChiusa (whose The
Highest Yellow premiered at Signature Theatre) is this dark, complex but
lyrical musical built on the structure of Japanese stories including the
well known Roshomon). The cast of the off-broadway premiere inludes
Marc Kudisch, Idina Menzel, Henry Stram and Mary Testa. (Ghostlight Records
7915584408-2) |
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Eartha Kitt
Live from the Café Carlyle |
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The literally inimitable songstress, Eartha Kitt,
recorded her nightclub act at age 79 and it reveals more energy, style and
sexiness than most of the big name stars one third her age. (DRG Records
91499) |
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Masterworks Broadway
Reissues:
The King and I - 1964 Revival
Broadway Masterworks 82876-88400-2
South Pacific - 1967 Revival
Broadway Masterworks 82876-88393-2
My Fair Lady - 1976 Revival
Broadway Masterworks 82876-88392-2 |
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Columbia records, the label that did the most to
establish the tradition of capturing the performances of the original casts
of Broadway musicals, also recorded a number of revivals. Now that Columbia'
vault has become the property of the combined Sony/BMG corporate giant, it
is a delightful development that a number of the less well known but
beautiful recordings of revivals are being re-released in carefully
re-packaged versions. Three of the offerings have recently been released and
each is a worthy addition to a large theater music collection. None replaces
the recording of the original cast, but each has elements that a theater
music fan will treasure. Two are of revivals mounted by the Music Theater of
Lincoln Center which Richard Rodgers established to sustain the legacy of
the American Musical - and they are both of musicals Rodgers composed. These
are recreations of South Pacific and The King and I with the
previously unreleased "Western People Funny" and the eight and a half minute
"The Small House of Uncle Thomas." They have
notable casts including the likes of Florence Henderson and Giorgio Tozzi
(in South Pacific) and Rise Stevens, Darren McGavin and Patricia
Neway (in The King and I). The full-on Broadway revival of Lerner and
Loewe's My Fair Lady, which took the stage at the St. Games Theater
in 1976, had Christine Andreas as Eliza and Ian Richardson as Henry Higgins
along with Robert Coote reprising the role of Colonel Pickering from the
original production. Each release is illustrated with original cover art,
photos from the recording sessions and a synopsis of the show. None offer
copious notes, but they do have the essential items. It is worth noting that this recording of South Pacific
was originally produced by Ed Kleban some eight years before he wrote the
lyrics for A Chorus Line. |
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Click here to buy the CD

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Capitol Records Reissues
Three Wishes for Jamie
Original Broadway Cast
DRG Records DRG-CD-19086
Salvation
Original Off-Broadway Cast
DRG Records DRG-CD-19087
Kismet
Studio Cast Recreation
DRG Records DRG-CD-19094 |
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The DRG record label has a long and distinguished track
record producing new albums of contemporary productions as well as digging
up old albums from the vaults of other companies who are uninterested in the
limited market for the oddities that so fascinate the core collectors of
musical theater gems. Three new re-releases from the archives of Capitol
Records, once a major player in the capturing of stage music, have
illustrated the range their operations. One, Three Wishes for Jamie
preserves a main line Broadway show from the early 1950s, a vehicle for John
Raitt along with Anne Jeffreys that ran for a brief run, just 92
performances. Another, Salvation, captures an Off-Broadway effort to
build on the excitement that Hair had caused. It is a rock-fusion
score that shows influences not only of Galt MacDermot but of jazz/rock
groups like Blood Sweat and Tears. The third is an example of the sometimes
misguided efforts to recreate scores in studios by casts that haven't
actually played the roles before audiences. It's Kismet, the Robert
Wright, George Forrest lush and lovely score based on themes by Russian
composer Alexander Borodin that was a big hit on Broadway from 1953 to 1955.
The score has many CDs available, many superior to this one. The original
cast recording had the irreplaceable services of Alfred Drake but was not
recorded in stereo. There was a movie which resulted in a soundtrack album
with Howard Keel. A cross-over attempt using opera stars on Sony Records
didn't work very well at all and JAY records provided a note-complete
recording of the score on two discs with a fine cast. The Capitol album used
Gordon MacRea and Dorothy Kirsten for a studio recording and it sounds like
a studio performance, not a theatrical one. |
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Click here to buy the CD

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| Books |
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Broadway Musicals -
The
101 Greatest Shows
of All Time
Ken Bloom and Frank Vlastnik
Forward by Jerry Orbach |
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The best theater lover's coffee table book of
the year offers three and four page, copiously illustrated spreads on the
authors' choices for the best musicals ever to take the Broadway stage.
Click here to read our review. |
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American Presidents
Attend
the Theatre
The Playgoing Experiences
of Each Chief Executive
Thomas A. Bogar |
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The most fascinating read of any theater book to
cross our desks this year, and the first to be designated a Potomac Stages
Pick, is this volume which details the theater going habits of everyone who
ever served as President of the United States. It includes the shows they
attended before, during and after their Presidencies, the theaters they
frequented and their attitudes toward the experience, all
blended with a general history of the country and of the Presidency itself.
In the process, it presents an enlightening history of the development of the American
theater. Click here to
read our review. |
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Broadway
Musicals,
1943-2004
John Stewart |
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The most impressive new reference work on
Broadway musicals is John Stewart's expensive ($195) volume with entries for
every Broadway musical since Oklahoma! providing a synopsis of the
plot, the scenes and songs (in the order performed on opening night), a
discussion of how the show got to Broadway, its Broadway run and important
productions subsequent to its closing on Broadway. Complete cast (including
replacements) and creative team credits
are listed as well. This amounts to 772 shows. For another two thousand
shows, that for one reason or another didn't meet the author's criteria for
being a bona fide "Broadway Musical" but which the author believes
constitute a significant part of the heritage of the musical theater, an
appendix offers abbreviated entries.
Click here to read our
review. |
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The Back Stage Guide to
Broadway
by Robert Viagas |
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The most useful guide for those who travel north
to sample the delights of "The Great White Way" - and for those who would
like to. Click here to read
our review. |
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Jerome Kern
by Stephen Banfield |
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The most welcome addition to the literature on
individual composers for the musical stage has to be Stephen Banfield's
volume on the music of Jerome Kern - if only because Kern's place in the
evolution of the American musical is so important. Banfield takes a fairly
technical approach to his analysis, accompanying his discussion with dozens
of illustrations only understandable for those who read music. But he places
it all in historical perspective as he traces the output of the man who
moved the American musical stage from operetta to what today we simply call
musicals. |
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Broadway North
The Dream of a Canadian
Musical Theatre
by Mel Atkey
Natural Heritage Books 1-897045-08-5 |
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A most intriguing new book written by a Canadian
now working in London takes a look at the history of the development of
musical theater in the nation to our north. Those who think the development
of Ragtime and Kiss of the Spider Woman by Garth Drabinsky's
Canadian company, Livent, or the arrival of The Drowsy Chaperone from
our northern neighbor are aberrations will be fascinated to learn just how
much musical theater there is in the big cities and picturesque festival
sites in the federation that spans our continent from St. Johns and Halifax
to Dawson and Vancouver. The stories of the creation of Anne of Green
Gables and Billy Bishop Goes to War are well told as is the story
of some of the venues that have hosted Canada's musical output - most
notably Toronto's restored Elgin and the incredible theater that sits
directly above it, The Winter Garden. A word of warning, however. Author Mel
Atkey includes a ten-page appendix listing cast recordings of many of the
musicals discussed in the text which may stimulate a good deal more spending
by the interested reader than the (US) $23.95 price tag. The book is not
currently being distributed in the US but it can be ordered
through the publishers website at
www.naturalheritagebooks.com.
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The Alchemy of
Theatre - The Divine Science
Essays on Theatre and the Art of
Collaboration
Edited by Robert Viagas
Applause Theatre & Cinema Books |
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Theater maven Robert Viagas has produced another
fascinating volume, one that might be of interest to theater lovers who will
have some free time to sit and read in the slow period between Christmas and
New Years. He asked some of the most famous collaborators in the American
professional theater to write about just that -- collaboration. He has
essays from famous playwrights like Edward Albee. He has contributions from
director/producer Harold Prince and director/choreographer Susan Stroman.
There are essays by performer Brian Stokes Mitchell and the team that wrote
the songs he sang in Ragtime, Stephen Flaherty and Lynn Ahrens. There
are contributions from some with
names somewhat less well known to the general public such as theater owner
Gerald Schoenfeld, stage manager Peter Lawrence, casting director Jay Binder
and dance captain Cynthia Onrubia. He even has the thoughts of those in between, like set designer Robin Wagner, costume
designer William Ivey Long, sound designer Tony Meola, orchestrator William
David Brohn and publicity man Adrian Bryan-Brown. Viagas may not have
brought gold out of dross, but he certainly has brought order to what might
have been a messy hodge-podge of a collection - and the pages are packed
with pithy observations that would be as applicable to collaboration in any
endeavor as they are to the art of theater. |
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| Miscellaneous |
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On Broadway! Theater
Posters
2008 Calendar
Library of Congress |
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Again this year, the Library of Congress
compiled a collection of vintage show posters for a wall
calendar. This year's calendar includes artwork from such shows as Auntie
Mame, The Night of the Iguana and Beyond the Fringe. |
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Click here to buy the calendar
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TixCertificates
Offered by the Helen Hayes Awards
Organization |
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As any regular reader of Potomac Stages knows,
there are more productions offered by theaters in the Potomac Region than
any one theater lover can attend. Tickets to a specific up-coming production
or even a season subscription to a particular theater can be a great gift,
but there are times when you don't know when the recipient might be able to
go or what shows a theater lover has already purchased seats for.
The answer? The Helen Hayes Awards organization sponsors a program called TixCertificates that lets you purchase certificates in $20 denominations
that are good at any one of 40 participating professional theaters. Order at
www.helenhayes.org. |
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