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Andrew Lloyd Webber Divas
Reviewed by Brad Hathaway

Issued 2006
Running time 1:53
Decca B0005990-02
List Price $18.98

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Andrew Lloyd Webber writes sweeping and soaring songs for his leading ladies. He also writes rich and sweet numbers for the supporting women. While many of his big hits have been written for men to bring down the house (think of the Phantom intoning "The Music of the Night") some are inextricably linked to women (how about the image of Norma Desmond explaining how she can light up the silent screen "With One Look" or Evita Perone addressing the crowd with "Don't Cry For Me Argentina"). This one disc presents fifteen different notable women delivering some of these notable songs - even one that was written for the Phantom. This compilation of recordings from separate projects has a sameness about it and the sweetness soon becomes as overwhelming as a diet that starts with Häagen-Dazs and stops at a Godiva chocolatier on the way to the Ben and Jerry's. However, sampled judiciously, the collection has much to enjoy if added to a larger song list that is then played in shuffle mode.

Contents: 15 of Andrew Lloyd Webber's intensely melodic songs for leading ladies and supporting actresses from Aspects of Love, Cats, Evita, Jesus Christ Superstar, The Phantom of the Opera, Sunset Boulevard, Tell Me On A Sunday and The Woman in White.

The songs are: "All I Ask of You," "Another Suitcase In Another Hall," "As If We Never Said Goodbye," "Don't Cry For Me Argentina," "Buenos Aires," "I Don't Know How To Love Him," "Learn To Be Lonely," "Memory," "Rainbow High," "Surrender," "Tell Me On A Sunday," "The Heart Is Slow To Lean," "The Music of the Night," "The Perfect Year," "With One Look."

The list of vocalists is an impressive one and most of the choices of which song a given diva will sing make sense.  There's Shirley Basey, Sarah Brightman, Betty Buckley, Dina Carroll, Glenn Close, Barbara Dickson, Minnie Driver, Yvonne Elliman, Katherine Jenkins, Patti LuPone, Madonna, Elaine Paige, Barbra Streisand (Yes, Barbra Streisand) Kiri Te Kanawa and Marti Webb. You may look high and low for Mandy Patinkin's billing for his appearance in the LuPone recording of "Buenos Aires" - the cut is directly from the Original Broadway Cast recording of Evita.

Each is accompanied by either original orchestrations or specially created ones for the project from which the vocalist originally recorded the song. Since most of these were either major Broadway or London West End productions or a Hollywood movie, there's no sense that any songs are being sung with less than a full orchestra.