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The Great American Trailer
Park Musical
Off-Broadway cast recording
Music and lyrics by David Nehls
Book by Betsy Kelso

Issued 2006
Running time 0:52  - 14 tracks
Packaged with notes, synopsis, lyrics and 16 photos
Sh-K-Boom Records 7915586051-2
List Price $18.98

Click here to buy the CD


Think of the country
sound of Carol Hall's The Best Little Whorehouse in Texas, the irreverent humor of Jim Luig and Scott Warrender's Das Barbecü and just a touch of the outlandishness of Dempsey and Rowe's Zombie Prom. Here's a bright, funny and up-tempo musical that sounds on this disc like one heck of a good time. Indeed, the more times you listen to the score, the deeper it digs into your memory and you find yourself singing along and mouthing some of the more outlandish lines right along with the cast.

Storyline: Life on "This Side of the Tracks" in Armadillo Acres, a trailer park in North Florida, is complicated. The gals and their men have a wide assortment of difficulties from agoraphobia to hysterical pregnancy among the women and an excess of magic marker sniffing among the men. Things get wildest during a nightmare television show, but the couples all resolve their problems just in time for the finale.

Marya Grandy seems to lead off the foolishness with her character's name - she's known as "Linoleum" because her mother gave birth on the kitchen floor. But the story that drives the show is the relationship between Kaitlin Hopkins, as the one unable to step outside her trailer, and Shuler Hensley who is an absolute kick as her husband who is a toll collector on the local toll road.

Record producer Billy Jay Stein has opted for a tight, close-miked sound that puts you right in the middle of the performance. It isn't the sound of sitting in a major Broadway house listening to it being performed before an audience of a few thousand. It is more like a small bar or club. That makes sense because the show played off-Broadway at Dodger Stage I which seats 499. The show probably sounded just like this recording in that hall.

The band is every bit as in-character as is each of the cast members. This may be because composer Nehls also acts as musical director, conductor and keyboard player. Doubling up on composing and musical direction duties can be a recipe for all-too respectful, and therefore dull, performances. Not so here. Apparently Nehls knows that taking these 14 song-scenes too seriously would stifle them. He leads the six piece combo (with two drummers, no less) in providing a sense of momentum for each number that keeps the energy level high from start to to finish.