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Studio Theatre Secondstage
1501 Fourteenth Street NW
Washington DC 20005
202-332-3300
 

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The developmental company of Studio Theatre
Founded in 1988
Artistic Director Keith Alan Baker
Three full shows plus a reading series
Price: $39
Click here to see archived reviews for this theater

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Blocks to Metro
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July 23 - September 7, 2008
Jerry Springer: The Opera
Reviewed August 7 by Brad Hathaway

Running time 2:30 - one intermission
A rousing, raucous ruckus for adults only
v strong content of sexual and social deviance
Winner of the Ushers' Favorite Show Award for July

Click here to buy the CD


Talk about truth in labeling! The title tells it all. Jerry Springer: The Opera is, in fact, an opera on the quirky, idiosyncratic and often demented topics of the television host who specializes in the bizarre edges of perversion, giving (mostly young) people their "fifteen minutes of fame" where they reveal the strangest of behavior and then, frequently, burst not into song but into fisticuffs with each other. Anyone who has watched The Jerry Springer Show on television, or even seen the frequent clips of on-air fights that seem to surface on the web or on a news show here and there, is well warned by the title that 1) this won't be quiet, 2) this won't be clean, 3) this won't be reserved and 4) this will be weird.
Lawrence Redmond does a fine job with the strangely underwritten role of Mr. Springer (this show is about the Jerry Springer Show - not about Jerry Springer) and Bobby Smith all but steals an unstealable show as his warm-up announcer. He has to compete, however, with the likes of Michael Nansel whose booming baritone fills the house as God as well as a guest with a secret (they all have secrets) and Ron Curameng who bares more than his inner desires as the Diaper Man.

Storyline: All the guests on television's "Jerry Springer Show," who bare their strange behaviors from the not too shocking "I slept with my fiancée's best friend" to the "I enjoy wearing soiled diapers," sing their hearts out to the famously unflappable talk show host. When he fires his warm-up announcer, however, things get truly out of hand and he ends up getting shot on air. Not to worry! The devil shows up to have him stage his show in the afterlife.

The real Jerry Springer Show, taped in Chicago and syndicated around the country and the world, has been revealing the better-left-unrevealed aspects of the lives of its guests since 1991. In 2002 British musician, writer and actor Richard Thomas, who had made a splash with a one-act comic opera called Tourette's Diva at the Edinburgh Fringe Festival, teamed with stand-up comedian Stewart Graham Lee to write this exercise in the outlandish. It was a hit at that year's Fringe and was picked up by the National Theatre in London where it created quite a stir, transferred to the West End and then toured Great Britain. Everywhere it went, it was the target of protests and demonstrations. A promised Broadway mounting never appeared but it has been mounted in many US cities - usually with somewhat less vehemence in the protests which always seem to accompany an opening. Washington seems to have accepted its arrival with even more equanimity, perhaps because the Nation's Capitol is more used to people having their say here.

Studio's developmental company, Secondstage, who did such a fabulous job on Reefer Madness last year and Batboy the Musical a few years back (but blew it when attempting to duplicate the success with The Who's Tommy in 2004) attacks this project with all the energy and verve it demands. Christopher Youstra's eight piece band sits behind a glass-brick divider in the wings putting out a satisfyingly raucous sound, which is to say they rock while supporting the intensity of some of the stronger voices of the cast such as Nansel, Curameng and Janine Gulisano-Sunday. The Springer television show is known for its on-camera fights, free-for-alls that delight a demented audience. Fight director Casey Kaleba captures the essence of these explosions of anger for this production as the cast sprawls across Giorgos Tsappas' recreation of the television studio set, complete with the large exhaust fan at the rear (which, strangely, never actually revolves).

The only way the title could be more revealing of the contents of the evening is for it to add the word "rock" to make it "Jerry Springer: The Rock Opera," but then too many would be expecting the likes of Andrew Lloyd Webber or Pete Townsend and the music here is too sophisticated for that. It is opera in that it concentrates on the music and not the lyrics and it requires the strongest of trained voices, often in that diaphragmatic voice that can be hard to understand. Unlike grand opera of earlier centuries, however, it uses percussion-heavy driving rhythms and brassy jazzy riffs to capture a modern feel. At times, it breaks out into plain old rock and the finale - when all thirty-four members of the cast cavort in replicas of the blow-dried hair style Redmond uses in his Jerry Springer role - becomes a bouncy curtain call in the mode of Mamma Mia! (without the vari-lites).

Music by Richard Thomas. Book and Lyrics by Stewart Lee and Richard Thomas. Directed by Keith Alan Baker. Co-directed and choreographed by Matthew Gardiner. Fight direction by Casey Kaleba. Music direction by Christopher Youstra. Design: Giorgos Tsappas (set) Kristopher Castle (costumes) Justin Thomas (lights) Erik Trester (projections, video and sound) Scott Suchman (photography) Melissa Mallnowski (stage manager). Cast: Jessie Baden-Campbell, Florrie Bagel, Mardee Bennett, Melynda Burdette, Ron Curameng, Rebecca Cznadel, Kerry Deitrick, Jamie Eacker, Emily Ann Formica, Chris Galindo, Ben Gibson, Mary Gresock, Janine Gulisano-Sunday, Alan Hoffman, Benjamin Horen, Kristen Jepperson, Michel Kenny, Jason B. McIntosh, Jacqueline Maloney, Ryan Manning, Michael Nansel, Patricia Portillo, Lawrence Redmond, Aaron Reeder, Jon K. Reynolds, Kirstin Riegler, JR Russ, Bobby Smith, Dan Sonntag, Max Spitulnik, Russell Sunday, Bitsy Vonmuffling, Bligh Voth, Weslie Woodley, Rachel Zampelli.


 
 

October 8 - December 2, 2008
A Beautiful View
The comic romance by Daniel MacIvor will be directed by the author.

February 18 - March 5, 2009
The Receptionist
A satire from the author of Swimming in the Shallows, Adam Bock.

July 15 - August 9, 2009
F***ing A
Keith Alan Baker directs Suzan-Lori Parks' unique view of The Scarlet Letter.