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2nd Flight Productions - ARCHIVE
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August 24 - September 9, 2007
Aida
Reviewed by Brad Hathaway

Running time 2:15 - one intermission
A rock-ish musical featuring leads with very strong voices
Performances at Chantilly High School
4201 Stringfellow Road, Chantilly, VA.
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With Elton John's music and Tim Rice's lyrics, this pop-rock version of the story of a Nubian princess taken prisoner by the ancient Egyptians ran on Broadway for over four years. There it had an extravagant visual design and a strong rock beat behind the performance of leads and large chorus alike. Here, in a performance in the hall that 2nd Flight hopes will be a permanent locale for musicals, there are strong voices in the leading roles and attention to enunciation of both lyrics and lines which makes the story easy to follow. However the driving rock beat behind the melodies is lacking, even as the small combo supporting the vocalists does establish a fine standard for pitch and key. The strength of the show is the vocal performances of Keisha Spaulding as Aida and Ryan Khatcheressian as her Egyptian commander. It also helps that, unlike even many professional companies, this production has a vocal director, Michael Ehrlich, and the result is that everyone on stage does his or her best to deliver both the melody line and the lyrics with clarity and assurance. 

Storyline: The Egyptian army takes prisoners from neighboring Nubia including, unbeknownst to them, the princes Aida, a young woman with a strong sense of dignity and powerful voice. The Egyptian commander Radames is betrothed to the Pharaoh’s daughter, but falls in love with the princess he thinks is a slave girl. Love and jealousy, patriotism and treason, fate and even reincarnation play in a different version of the story than in the classic opera.

The story is a variation of the story found in Verdi's famous opera, but don’t expect grand opera here. Instead, there is the pop sound of the music composed by Elton John in his first written-for-the-stage musical. And there are lyrics by Tim Rice (Jesus Christ Superstar, Evita, Chess and parts of The Lion King and Beauty and the Beast) which include his trademark idiosyncratic anachronisms for which I admit a weakness. He has Pharaoh's minister referring to genetics thousands of years before the discovery of DNA ("Don’t come on so cocksure boy / you can’t escape your genes / no point in feeling pure boy / your background intervenes") and the Pharaoh's daughter sounds for all the world like a modern valley girl as she sings "Forget the inner me / observe the outer / I am what I wear / and how I dress."

Spaulding's vocal strength is consistent all night long in an extremely demanding role and her acting is solid as the pridefull princess reduced to hiding her nobility in order to keep her identity secret from the conquering Egyptians. She gives every impression of being able to hold her own in a more distinguished ensemble. In contrast, Khatcheressian is impressive mostly for his vocal strength. When he belts out a pained plea for release from the burdens of duty to spend some simple time with his love, he can sell both the emotion and the musicality of the scene. Katie Pond has some effective scenes as the Egyptian princess as well.

The constraints of budget are clearly evident in the visual impact of the show, spread out across a wide stage with a single set used for multiple locations and costumes that only hint at either the wealth and power of the conquering nation or the degradation and plight of the slaves taken from defeated Nubia. The score works best as a highly amplified artificial sound, and the sound system (with wireless mics) used here has all the volume that could be wanted but suffers from distortion, especially on Spaulding's big moments, and intermittent malfunctions which particularly plagued Faqir Qarghah as the slave who serves his princess by manipulating his captors.

Music by Elton John. Lyrics by Tim Rice. Book by Linda Woolverton, Robert Falls and David Henry Hwang. Directed and choreographed by Shannon Khatcheressian. Music direction by Bob Kraig. Vocal direction by Michael Ehrlich. Design: Kevin King (set and lights) Kelsey Cropp (costumes)  Kat Brais and Andy Izquierdo (hair and makeup) Erin Anderson (properties) Stan Harris (sound) Warren Reid (stage manager). Cast: Brieann Anderson, Kadira Coley, Edward Brient, Alex Chu, Chan Chung, Janelle Delaney, Michael L. Ehrlich, Corey Eskridge, Lance Han, Greg Khatcheressian, Ryan Khatcheressian, Tien Nguyen, Carla Okouchi, Katie Pond, Edris Qarghah, Faqir Qarghah, Jacqueline Ryan, Michael Schwandt, Nicole Scott, Keisha Spaulding, JeRhonda Spaulding. Combo: Bob Kraig, Carla Okouchi, Rick Peralta, Dan Spadoni.