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September 5, 2007
Margherita
Reviewed by Brad Hathaway

Running time 1:00 - no intermission
A one-night only reading of a history play


The Corner Store has been an art-exhibit space and has hosted musical performances for a while but is now adding theater to their agenda. During September they are hosting a "Theater Fest" of solo-shows and staged readings. The first one was held Wednesday night. The audience enters from the small patio on 9th street between the main building and the garage, passes through the town-house's kitchen and what has been a dining room which, for these occasions can be provided with a few munchies and even some wine (libation donations appreciated). The performance space is the front room, the former Couzzo grocery store facing onto South Carolina Avenue just two blocks from the Eastern Market Metro station. With a stage platform set up against the long wall, there is space for 55 or 60 on chairs and benches on three sides. The performance space easily accommodates three or four for a staged reading.

Storyline: The final hours before Benito Mussolini's mistress escapes Italy in 1938 are tense ones for her and for Il Duce. Will she, a Jewess, despite her conversion to Catholicism, succeed in getting out of the country before the new racial laws take effect? Will he succeed in getting her to reveal the location of the love letters he wrote to her at the height of their affair which may include comments he wouldn't want made public?

The play is by Anthony Ernest Gallo, a Capitol Hill resident whose works tend toward historical subjects. He's the author of Lincoln and God, The Agony of David, Solomon, and his play about the company town for steel workers in Pennsylvania, Vandergrift!, will have a staged reading at the National Press Club this Friday, September 7. He says the focus of his works is on "the Judeo-Christian experience" and Margherita certainly touches on topics on point for such concentration. Margherita Sarfatti was a noted Italian journalist and art critic who was a force in the fascist movement during her affair with Mussolini, but who fled Italy when Mussolini's government adopted discriminatory racial laws, and remained out of the country until after the end of World War II and the death of her former lover.

Marian Licha handles the title role with a sense of pained dignity and pride which works well, creating a character that could have captivated the self-centered Mussolini and retained a claim on his affections long after their breakup. Paul McLane gives Mussolini a strength and intensity, but the focus here, as the title implies, is really on Licha's Margherita, and she has the one and only really complex personality in the piece. Dave Coyne is efficient in the supporting roles including a stranger who shows up at her door who may be a policeman, may be a driver or may be worse.

Gallo peppers his script with references to the history of the time which require some familiarity with his subject in order to get the most from the play. In production, the program could include notes from the author, director or dramaturg which could provide much of the information that would make the experience of the play more rewarding.

Written by Anthony Ernest Gallo. Directed by Jessica Lefkow. Cast: Dave Coyne. Marian Licha, Paul McLane.